In the film, the infamously misogynistic Oliver Reed plays a psychotherapist who has developed an experimental technique that allows patients to manifest their negative emotions as physiological changes to their biology. (Heavy) His star pupil, played by Samantha Eggar, takes the process and runs it across the end-zone, using the bad vibes created by her nasty custody battle with leading man Art Hindle to create a small army of mutant pod children.
Side Note: What is up with early Cronenberg and flat, boring heroes? Thankfully that tendency peaked with captain monotone in Scanners.
The mutants, driven by the dark impulses of their fuck-nutty "mother," don terrifying little primary-colored snowsuits (to hide the nutrient sacks fueling them) and do terrible things like beat a kindergarten teacher to death with wooden mallets in front of her class. (I'd hate to have to pay those kids therapy bills.)
As terrifying as that is, nothing can compare to Cronenberg's god awful day-for-night establishing shots.... I mean the climax. Big spoiler ahead.
use of the word "plotz": +5 pts.
ReplyDeleteI'm a big Cronenberg fan, but for some reason I've always put off seeing this one. I'll have to make a point to see it sooner than later. I'm intrigued.
ReplyDeleteIt's not his best (by a longshot) but it is still worth seeing for the terrifying mutant toddlers.
ReplyDeleteWikipedia says Croenberg was inspired during his own nasty custody battle to pen this marvelous tale. "Well, your honor, I've actually got a great visual aid, to show you my feelings on the matter. If we could get a VCR in here…NOT THAT ONE YOU FOOLS, IT MUST BE BETAMAX…"
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